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MITCH KASHMAR "NICKELS & DIMES"
Source: Blues Wax
Date: 04/14/2005
Writer: Mark Hummel

BluesWax Rating: 8
Reader Rating: 6

One Of The Best Of The West
Mitch Kashmar may not be a household name in the Blues, but in the inner circle his name commands respect of the highest order. A great singer and a monster harmonica player with serious tone and chops to spare, plus a fine songwriter, Mitch has mainly worked the Southern California region the last ten years. In the late 1980s he started a Blues band, the Pontiax , in his native Santa Barbara. They became a legendary act up and down the West Coast, traveling as far as Europe and Canada on a steady touring basis before serious personnel changes sidelined their traveling efforts. They recorded one LP during this time, which Mitch has reissued. Mitch, at that time, was a disciple of Kim Wilson and William Clarke , both South California harp legends. Since then, Kashmar has really honed his craft to a very serious level, producing a sound, both as vocalist and harp player, that is very much his own. Unfortunately, about eight years ago he was much more in the spotlight for being Marcia Clark's beau (on the heels of the O.J. Simpson trial) than as a great singer/harpman.

Kashmar made a killer Jazz CD a couple years ago that really should have made some noise, but didn't even make it into commercial release and he hasn't made a CD on a real label with real distribution in quite some time, so the release of Nickels & Dimes is cause to celebrate. Kashmar's newest is on the up-and-coming Delta Groove label, harp man Randy Chortkoff 's newest project. It features an all-star cast of California musicians, including the great Junior Watson on guitar, Richard Innes on drums, Ronnie James Weber on upright and electric bass, and Bob Welsh on keys. An added bonus on this CD is special guests Abu Talib (formally Freddie Robinson of Little Walter fame on guitar and vocals on one song) and Arthur Adams (a stunning vocalist/guitarist, as well). You can't go wrong with this cast of characters!

The disc starts off with "Dirty Deal," a romping shuffle with Mitch blowing first position harp while the band swings like mad behind him. Watson kicks off the first lead of the disc in a thoroughly original way, as only Junior can, by mixing Albert King licks with Eddie Taylor licks and making it all work seamlessly into his own bag. Watson's given plenty of room here to shine. Mitch definitely gets the message across in his vocal delivery that this woman has done him wrong and there ain't no coming back.
"Nickels & Dimes" is in a funky groove with Kashmar letting the world know his economic state. Mitch blows some groovin' harp on this one, a clever original he penned himself.

On "New York Woman" Mitch starts the song with some jazzy third position harmonica played into the studio microphone, giving a different feel to the sound of this tune. There is a definite West Coast sound to this one.

"Just Show It To Me" jumps along reminding me a little of William Clarke 's kinda style, between the style of the songwriting and the harp playing. There is some great boogie-woogie piano playing by Welsh on this cut and check out the killer upright bass playing by Weber as well.

Abu Talib guests on his own "Lizzy Mae," singing about his first girlfriend with just Mitch (blowing 3rd position again) and his guitar accompanying him. A nice change of pace to the CD, lending another style of Blues to the mix.

"Gettin Drunk" tells a swinging tale of woe with Watson once again playing a wild Johnny Guitar Watson -style solo. "Becky Ann" is pure Blues and shows off Mitch's vocal phrasing to big advantage, singing in a baritone voice lower then what he would normally. Cool feel on this, with nice Little Walter-style harp, plus original ideas thrown in to boot.

The next cut is the kind of tune that only someone who is confident of his voice could pull off while going on tape with a singer like Arthur Adams. These guys are tearing it up vocally at the end of "Knock Em Dead."

Also included here are a couple Walter numbers, "I Don't Play" (with Innes doing an interesting shuffle while the rest of the band rumbas over the solo) and "Who." The CD ends with a cool harp instrumental, "Runnin Off At The Mouth," with interesting ideas spilling forth. The head reminded me of the "Had My Fun" intro by Little Walter.
Hopefully this CD can bring Kashmar more recognition in the Blues world, he's certainly up there with the best of them! Check Kashmar's CD out at Delta Groove Productions.com.
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